Monday, November 14, 2011

Official Entry #7/Unofficial Entry #8 (Mang-inspiration)

One of the things that i carry around with me about 90% of the time is manga.   I love to read it, i love to look at it, i love buying it.  But my love for manga is not just to pass time or entertain myself but to admire the artwork.  I have been reading manga for years and i would love to create work like that.  For this entry i have selected two of the most recent manga that i am reading. Sun-Ken Rock written and illustrated by Boichi and Kurosagi Shitai Takuhaibin written by Eiji Otsuka and illustrated by Housui Yamazaki.  Most of the time, i like manga if i their depictions of hands meets my standards.  These two mangas are good because i love how both are drawn yet their styles are so different.  First i will show some clips that i got online from Mangafox.com of Sun Ken Rock.


Hand detail. Vol 1. Ch 2. Pg 7.




Hand detail. Vol 5. Ch 30. Pg 30.


Hand detail. Vol 1. Ch 2. Pg 14.
Hand detail. Vol 1. Ch 2. Pg 14.
Hand Detail. Vol 1. Ch 5. Pg 5.



Hand detail. Vol 1. Ch1 Pg 18.















































As you can see, Boichi's style relies a lot on shading through lines.  His hands are aggressive and thick and have attitude.  I can almost feel the ink rising and boiling from the hands as if blood had been replaced by it.

Now let's take a look at Kurosagi Shitai Takuhaibin. I like the way that depth is reach through tones in this series' hands.






Hand detail. Ch1. Pg7.
Hand detail. Ch1. Pg 48.
Hand detail. Ch 1. Pg 47.

Hand detail.  Ch 1. Pg 7.
Hand detail. Ch 1. Pg 31.


  Housui Yamazaki's hands here are also depending on some depth through line but it also varies and the lines are not as thick.  Yamazaki tries to achieve depth also through tonal range.  Both hands are well depicted.  On some hands, there is not eve the need for suggestive lines. 

Boichi's fighting manga "Sun-Ken Rock" greatly depends on fast movement, expressive lines and strength and boldness in their hands.  On the other hand, Yamazaki's horror manga "Shitai Kurosagi Takuhaibin" works with a plot going at a slow pace so strong bold lines do not fit the style of the manga.

Official Entry #6/Unofficial Entry #7 (Layout Options/Ideas for Thesis)



I finally gave some thought to thesis. But just the layouts, don't get too happy about it. hehe.
I honestly have no idea of what my photos will be about but i have read many articles and seen many galleries that i have chosen a few layout designs that i want to explore.  I first wanted my photos to be floating/hanging from the roof with transparent wire.  I want them showing images on both sides so people would interact and walk around them. I have always been interested in sculptures and think that having them floating would give them a sculpture-ish aspect.  But i know this idea might not work because glass is heavy and i don't want to use plastic, also, if it falls, glass might cut people.  Next i considered the diptych layout.  I would want my photos hanging in diptychs vertically, not horizontally. I'm hoping i could get a narrow wall that goes with the portrait modes of the photographs.
The images would be portraits on the left row and landscapes in portrait mode on the right row.  The right images would be toned and i guess i would want them vertically so as to coincide with the lines of the room.  Although i love square format, i think 35 mm format is much more effective in creating echo throughout the whole series.  I would still have them glass framed if they were to be wall hanged.  I hope to further this idea.



Official Entry #5/Unofficial Entry #6 (A Pinhole Camera to Call My Own)

This post was pretty much just pictures in my physical journal as well.  So i will let my drawings speak for themselves. 



Like that?? know what it is?? are you getting as excited as i am?? Then keep scrolling.


Still can't guess what it is??? Want to see more??? KEEP SCROLLING DOWN!!!





Like the skeleton so far? by this far i'm pretty sure you found out that it is an 8x10 pinhole camera i am making myself.  I hope to make it my own by including this simple design to it.  I did go through some trouble measuring though but i think that it is still functional once i am done with it. 


My results? I have nowhere to put the negatives so i had to order some holders online.  I hope they get here soon.  Next time i will order the holders and make the camera according to the measurements of the holders themselves.  This is what they look like!! Thank you eBay!!!






Below are pictures of the ongoing process.




Expect results soon!

Official Entry #4/Unofficial Entry #5 (Inspirations in Images)




In my physical journal, i talk a lot on this entry but it all seems to turn out into a kind of erotic and sensual homage to hands.  As you can see, i have many photographers i admire but only the top 3 deserve recognition in this post for they have been by far the most influential.  Specially, Steiglitz's series, the one of his wife O'Keeffe.  Hands, objects, metal, skin, soft and rough.  His contrasts are just so amazing.  Then we have Stiechen, whose "The Flatiron" series highly influenced one of my latest series called "Afternoons" that was at the Chance show.  Finally, Strand, i have to include, because his photos although not amazing (in my opinion) have something that have always called my attention but that i have to this day yet to figure out. Perhaps it is his portraiture or all of the three photographers' works squished together that while complementing themselves all attract me. I don't know what it is yet but here are some of my favorite images of the each of them.



Stieglitz, "Georgia O'Keeffe--Hands" 1917
Steichen, "In Memoriam" 1901, printed 1904
Steichen, "Princess Yusupov" 1924




Stieglitz, "Georgia O'Keeffe--Hand" 1918
Stieglitz, "Georgia O'Keeffe" 1918


Stieglitz, "Georgia O'Keeffe" 1919
Stieglitz, "Georgia O'Keeffe--Hands"

Stieglitz, "Georgia O'Keeffe--Hand and Wheel" 1933

Stieglitz, "Georgia O'Keeffe--Hands and Horse Skull" 1931

Stand, "Rebecca, New York, Ca. 1923

Strand, "[Office Building from Below, New York] 1917
Steichen, (From left to right) "The Flatiron" 1904, "The Flatiron" 1904, printed 1909, "The Flatiron" 1904, printed 1905.

Official Entry #3/Unofficial Entry #4 (Further Exploration of the Pinhole/Loooooong Exposures)


See the image above? Ok, good.  That is a paper negative.  It is using photo sensitive paper in order to record an image, same as film.  Why am i using paper as a negative? Just exploring and experimenting.  To be honest i had no idea one could do that.  In pinhole photography, it is common to use paper to create a negative.  And it is through image transfer that we can obtain a positive.  All of these processes are just great.  The more involved i get into pinhole, the deeper i get myself using chemicals and stuck under red lights.  Of course, the example above is a perfect example of a bad negative and reciprocity failure.  Apparently, light shifts after a certain amount of time and the effect it takes it through color.  The colors start to shift from their original.  Since this is black and white, no colors per se are involved but the grays and blacks all start to shift as well.  In order to make up for this shift, i had to calculate the amount of extra time of exposure the paper needs in order to correct the shift.  WARNING: Do Not Ask Me if there is a formula for this because although there is i figured out mine through trial and error.  Below is the scanned paper negative and turned positive.



Ok.  So as aforementioned, it's not a great example of a good exposure but i did say i was experimenting.  I turned this negative into a positive electronically through Photoshop.  But the old school way to do it is to place an unexposed paper right under the paper negative, emulsion facing emulsion and squeeze these two between glass sheets.  Lastly, you'd have to expose the glass to light for about 3-5 seconds and the light would have to be opened as much as it can. (~f/2 on some enlargers?) This image transfer fascinated me but i've yet to do it since time has been of the essence for all of my other classes. I can always do it electronically so i have been saving as much time as i can.

To give you a better idea of what the image really looks like, i have drawn a sketch.  But be warned, i am no good at drawing.





As you can already tell, this was not the only paper negative i tried to produce.  I tried at least 5 and only 3 gave me results and two which were unacceptable and 1 which is the one i decided to show.
So now you found out what my room looks like. Believe it or not, but because the shutter in the pinhole camera i was using is f/250, the amount of light entering was almost microscopical.  So i had to do loooong, i mean looooooooooooooooong, exposures.  The most successful one was that of 15hrs.  It was under incandescent light and i opened the shutter at about 7pm until 10am of the next day.  The other exposures i did were of 2 hours and 8 hours but the negatives produced not a single microscopic reactive silver crystal.  So for the third one i decided to double the last exposure and see if it makes up for reciprocity failure.  And low and behold, it did though the image produced still sucks.  Well i learned my lesson but i do not believe i will be employing this method for any future series.  At least, not for inside shoots.  I will keep them for outside shoots where hours exposures are reduced to minutes.

Official Entry #2/Unofficial Entry #3 (Manos, Manos y more Manos...)

This is a post dedicated purely to my love and as some call it, fetish, of hands.  Sometimes, i wish i could draw like the old masters.  I can only hope one day i can use my hand as a camera itself and record the hands that i see.  They are just so beautiful, useful, strong, docile, flexible, long, short, fat, bony, dark, light, heavy, scary, etc... I find myself drawing hands almost 60% of the time each day.  I have countless drawings and images of hands.  But alas, enough talk.  Enjoy the images!! (Originally, this physical entry consisted on my ranting on about hands but that seemed too weird and sexually disturbing in a way so i decided to do a photo compilation of my hand drawings.)